News

Why We Remember

Date published:

November 3, 2023

The Vimy Foundation’s tagline is ‘Building the future, informed by the past’, but what does that really mean? For me, remembrance and citizenship are intimately entwined. Being an informed citizen means attempting to understand and recognise the past of society of which you are a part. The act of remembering, of thinking of the human lives changed irrevocably by war, is my responsibility as a citizen. 

This also encompasses the complexity of remembrance; it is not easy and it raises uncomfortable questions . Who is remembered? How are they remembered? Why do we do this? War is one of the worst things humans can inflict on one another. It brings out our best and worst qualities, usually at the same time, and usually in ways that after the fact are hard to understand. 

One of our Beaverbrook Vimy Prize recipients, Sacha, wrote after the program this year ‘There's one image that keeps running through my mind every time I go to a place of remembrance: I imagine all those people, soldiers, nurses or civilians standing in front of me. It's the sight of all those lives sacrificed that makes me realise how important peace is in the world. And yet it remains fragile, even if wars change, it is still men, women and people who lose their lives.  We need to restore peace where it doesn't exist and preserve it where it does.’ 

I think Sacha outlines the crucial point in remembrance. Remembering is a responsibility. It is for us to remember those people and what war cost them, and in the difficult times in our world, keep that vision of humanity firmly fixed in our minds. Lest we forget. 

Caitlin Bailey is the Executive Director of the Vimy Foundation.

Image Credit: Canadian troops returning from the trenches pass pack mules. They are loaded with ammunition and are heading to the guns, Nov 1916. Canada. Dept. of National Defence/Library and Archives Canada/a000913-v8

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Walter S. Allward: Life & Work chronicles the artist’s life from his formative years in Toronto working for the architectural firm Gibson and Simpson to his success as a leading sculptor. The book explores Allward’s early works, including the South African War Memorial in Toronto (1904–11), the Baldwin-Lafontaine Monument on Parliament Hill in Ottawa (1908–14), the Bell Memorial, commemorating Alexander Graham Bell’s invention of the telephone in Brantford (1909–17), and the Stratford War Memorial (1919–22), before discussing how the artist turned his talents toward the Vimy Memorial, an icon of Canadian sacrifice and a legacy for future generations. About the author Philip Dombowsky is an Archivist at the National Gallery of Canada. He holds an MA (Art History, Concordia) and a Master of Library and Information Studies (McGill). Dombowsky has curated numerous exhibitions for the NGC Library and Archives, most notably in the area of book design and illustration. He is the author of Index to the National Gallery of Canada’s Exhibition Catalogues and Checklists 1880–1930, which won the Melva J. Dwyer Award in 2008.

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